What does 'California' mean to you?
If
you have a regional accent, you may think the way you speak lets people know
where you come from. Recent research, though, suggests that regional accents can
evoke a range of meanings much richer than this, and that these meanings have
their roots in stereotypical local characters or cultural values.
Robert J Podesva notes that speaking with a
recognizably Californian accent can evoke personality traits like being “laid
back”, “carefree” and “fun”, through an association with valley girls, surfers
and similar young, fun-loving stereotypical characters in California. These
social meanings can then be recruited to construct a range of locally
significant identities. In the example Podesva gives, a self-identified gay
Asian American man, ‘Regan’, uses Californian vowel pronunciations together
with a voice quality and intonation typical of gay men to construct a specific
gay party-going identity.
Regan
recorded his own speech in three different situations. He made the first
recording during a weekly ‘Boys’ Night Out’ ritual, when he and his friends
meet up for dinner, drinks and dancing. He made the second recording during
dinner with a close friend. The third recording was made at work: Regan was
about to go on holiday and was talking to his supervisor about the tasks that
would need to be done in his absence.
Podesva
analysed Regan’s pronunciation of 4 vowels that are currently changing in young
people’s speech in California, as part of the ‘California Vowel Shift’. Regan’s pronunciation of these four vowels
changed in the three situations, and always in the same way: he used the newer,
shifted pronunciations most often during the boys’ night out, less often during
dinner with his friend, and not very often at all when speaking to his
supervisor.
The
shifted vowel pronunciations coincided with Regan’s use of a falsetto
pronunciation. He used this voice quality very often during the boys’ night
out, less often with his friend, and only once with his supervisor. His use of
high pitch at the end of a statement followed the same pattern across the three
situations; in fact, in the boys’ night out setting his pitch was on average
nearly five times higher than that of the typical adult heterosexual man. Podesva
notes that the boys’ night out group sees Regan as their most fun member. During
the recording made on one of the nights out he talks a lot about the clubs, gay
circuit parties and tea dances he goes to, and the alcohol he drinks at these
events. Some of his most extreme pronunciations were on words typical of a
party-goer, such as tequila bar and fun. His use of falsetto expressed
surprise and excitement, and emphasised his feelings about what he was saying. Podesva
concludes that Regan’s use of the Californian vowels contributes to the
construction of a party-going persona and, together with the falsetto voice,
high pitch, and what he talks about, the persona is that of a specifically gay
party-goer.
Podesva
stresses that he is not suggesting that the vowels that are part of the
California Vowel Shift are directly linked to the construction of a gay
identity. Regan’s shifted vowels do not directly index Californian stereotypes,
but the social meanings that reside in them. These are compatible with Regan’s
party-going gay persona and this explains why they are well represented in his
speech during the Boys’ Night out.
Other
researchers have found that the same vowel pronunciations can be linked to other
types of identities: for example, to gang status amongst Latino speakers in
western Los Angeles, or to the display of a teenage identity by a preadolescent
girl. Podesva therefore suggests that the range of social
meanings attached to a specific language feature can be thought of as
constellations of related meanings, any one of which can be activated when
speakers use that feature. Considering
the similarities between constructing heterosexuality and constructing gay identity,
he says, is an important step in understanding how language variation can be used
in the construction of sexuality.
_________________________________________________________
Podesva
Robert J. 2011. The California vowel shift and gay identity. American Speech 86 (1): 32-51.
doi
10.1215/00031283-1277501
This
summary was written by Jenny
Cheshire